In 1974, a hot-headed 19 year old named Michael Peterson decided he wanted to make a name for himself and so, with a homemade sawn-off shotgun and a head full of dreams he attempted to rob a post office. Swiftly apprehended and originally sentenced to seven years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. During that time, Michael Petersen, the boy, faded away and 'Charles Bronson,' his superstar alter ego, took center stage. Inside the mind of Bronson - a scathing indictment of celebrity culture.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
Bronson is a very interesting movie. It presents you with a character that seems to have a violence inherit in him, and a total disregard for authority, and does so in a way that make you understand him, despite the huge gap there is between his world and your own. You can see how the system he is a part of does not have a way of dealing with him. And you can also see how his motivations are not evil, no matter how much harm he has caused.<br/><br/>I have little knowledge about the actual person this movie is based on, and my opinion on the character in the movie is not meant to be taken as a comment on him. I have no idea if the real life &quot;Bronson&quot; deserved the sympathy granted in him in this movie, but it does make for a very interesting picture.<br/><br/>In addition to crafting this character, Refn also comments upon us an audience, as the character is multiple times addressing us directly (even with us represented on screen), and it adds a layer of exposing not only how Bronson appears, but how he chooses to represent himself.<br/><br/>This reflected use of both violence and character makes the movie more than worth watching. When you on top of that get some great performances and a good soundtrack, you end up with a very good movie.
Interesting movie, very charismatic, probably Bronson had too much personality for the law to handle.<br/><br/>Am not exactly sure why Bronson is considered so DANGEROUS! Has he ever killed anyone? I don&#39;t think he has right ? The movie displays even more corruption amongst British police and system.<br/><br/>I believe the movie was tamed down dramatically, I very much doubt Bronson could have escaped beating an officer without getting an absolute hammering.<br/><br/>As for human rights, Bronson&#39;s where almost all breached.<br/><br/>Fame is the least this guy deserves, a mentally troubled person, in the wrong environment which useless people to help will result in a trouble some person.<br/><br/>I am glad Doctors are getting on to mental health and the issue is slowly being addressed.<br/><br/>I know society requires a hate figure to excel in the right direction.<br/><br/>But labelling people more dangerous and taking there one life away from them is not a forgivable crime.<br/><br/>Hopefully Karma will strike down everyone who abused Bronson.<br/><br/>1 life, 1 chance, to be taken away ? Unforgivable!
Bronson owes a little or a lot to Kubrick's "Clockwork Orange," but if that's a crime I wish more people would commit it.
Spoilers ahead!<br/><br/>The Electrician - The Walker Brothers: Charlie moves around in his cell and fights the guards. Plays until the main title card appears and then tones down.<br/><br/>Va pensiero (Chorus of Hebrew Slaves) [Nabucco, Act III] {1990 Remastered} - Coro del Teatro alla Scala, Milano, Lovro von Matacic &amp; Orchestra Del Teatro Alla Scala Di Milan: Charlie&#39;s childhood.<br/><br/>Götterdämmerung, Dritter Aufzug (Act 3), Zweite Szene [Scene 2]: Trauermusik {Orchester} - Siegfried Jerusalem &amp; Symphonieorchester des Bayerischen Rundfunks: Charlie tells the audience about prison and prisonlife.<br/><br/>It&#39;s A Sin - Pet Shop Boys: Played at the party at the mental hospital.<br/><br/>Meet Mister Callaghan (2009 Remastered) - Ray Martin: Bronson strangles the pedophile.<br/><br/>When I&#39;m a Rock &#39;N&#39; Roll Star - Tom Hardy: Charlie starts to sing as he presents real footage of a riot at Broadmoor Hospital for the criminally insane.<br/><br/>Your Silent Face - New Order: Bronson is releaed.<br/><br/>Attila: Chi dona luce al cor?.. (Atto II) - Orchestra Del Teatro Alla Scala Di Milan &amp; Riccardo Muti: Bronson goes to see Uncle Jack.<br/><br/>Digital Versicolor - Glass Candy: Heard through out the film; in the stripjoint, Charlie working as bareknuckle fighter and Closing Credits.<br/><br/>La forza del destino: La vergine degli angeli - Orchestra Del Teatro Alla Scala Di Milan &amp; Riccardo Muti: Charlie proposes, get&#39;s rejected and goes to jail again.<br/><br/>Das Rheingold: Entry of the Gods Into Valhalla - Berliner Philharmoniker &amp; Klaus Tennstedt: The prison executive walks down the hallway in slowmotion.<br/><br/>
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